{"title":"Pedals","description":null,"products":[{"product_id":"cleveland-music-co-westside-overdrive-premium-marshall-blues-breaker-clone-w-mods","title":"WestSide Overdrive","description":"\u003ch3\u003eWarm, rich and transparent. The sound of an icon, but with more flexibility and at an affordable price.\u003c\/h3\u003e\n\u003cp\u003eThe Cleveland Music Co. \u003cstrong\u003eWestSide Overdrive\u003c\/strong\u003e is inspired by the classic Blues Breaker—both the amp \u003cem\u003eand\u003c\/em\u003e the pedal. After poring over the schematics of the original JTM 45 amplifier, the original pedal, and many pedals based on both, we applied what we feel are the strengths of each to the WestSide. Not content to be a rehash of the past, the WestSide Overdrive offers additional tonal and clipping options, increased output volume, and a powerful presence control so it can play nicely with any rig. The result is a touch-sensitive, bluesy, low-gain overdrive that stacks especially well with our other low- to medium-gain drives, and gives you all the presence you need to stand out. \u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44157855957295,"sku":"P-WSOD-2","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/westside_front.jpg?v=1769123337"},{"product_id":"cleveland-music-co-eastside-overdrive-premium-timmy-clone-w-mods","title":"EastSide Overdrive","description":"\u003ch3\u003eA tonally flexible, transparent overdrive circuit. Evolved, and at a great price.\u003c\/h3\u003e\n\u003cp\u003eThe Cleveland Music Co. EastSide Overdrive is our love letter to the pinnacle of transparent, boutique overdrives: the Timmy. Its low- to medium-gain tones can be dialed in for anything from a powerful, dirty boost for stacking with other pedals, to flat out rock-n-roll grind. With a potent EQ section and plenty of output volume to spare, the EastSide can easily push an on-the-edge amplifier’s tubes into overdrive territory.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44157909795119,"sku":"P-ESOD-2","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/eastside_front.jpg?v=1769263651"},{"product_id":"cleveland-music-co-the-heights-dynadrive-premium-zendrive-clone","title":"The Heights Dynadrive","description":"\u003ch3\u003eThe sound and feel of the near-mythical Dumble amplifiers in an affordable pedal.\u003c\/h3\u003e\n\u003cp\u003eThe Cleveland Music Co. Heights Dynadrive is our tribute to the timeless Zendrive. While it’s a favorite of Blues guitarists, it also makes a great medium-gain rock-n-roll overdrive with a highly dynamic touch. And if that weren’t enough, the Heights stacks really, really well with many other drive pedals; try it before or after our EastSide Overdrive.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44157915955503,"sku":"P-HTSOD-2","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/hts_front.jpg?v=1769263697"},{"product_id":"cleveland-music-co-superior-overdrive-mkii-premium-blues-breaker-timmy-clone-w-mods","title":"Superior Overdrive","description":"\u003ch3\u003eA space-saving, rugged, and enormously versatile overdrive platform at an affordable price.\u003c\/h3\u003e\n\u003cp\u003eThe Cleveland Music Co. \u003cstrong\u003eSuperior Overdrive\u003c\/strong\u003e is a 2-in-1 pedal packed with 2 of our most popular overdrives, and they happen to stack extremely well. Use them individually, set them both to detonate, or dial one in as a boost to help you cut through the mix. These two circuits stacked like this is just glorious; better than any other combination we’ve played. That’s why it’s called the Superior Overdrive.\u003c\/p\u003e\n\u003ch2\u003eEastSide Overdrive (first in the signal chain)\u003c\/h2\u003e\n\u003cp\u003eThe Cleveland Music Co. \u003cstrong\u003eEastSide Overdrive\u003c\/strong\u003e is our love letter to the pinnacle of transparent, boutique overdrives: the Timmy. Its low- to medium-gain tones can be dialed in for anything from a powerful, dirty boost for stacking with other pedals, to flat out rock-n-roll grind. With a potent EQ section and plenty of output volume to spare, the EastSide can easily push an on-the-edge amplifier’s tubes into overdrive territory.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVOLUME:\u003c\/strong\u003e sets the overall output volume. There is quite a lot of output on tap, which makes the EastSide a great boost option for stacking with other overdrives, or slamming the front of your favorite tube amp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGAIN:\u003c\/strong\u003e Clockwise for more gain; counter-clockwise for less. While there is a little more gain available than typical transparent overdrives, the EastSide is still a medium-gain pedal. \u003cem\u003ePro tip: putting a boost or another drive in front of the EastSide can push it into high-gain bliss!\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTREBLE:\u003c\/strong\u003e Works like you would expect: adds or cuts treble. Clockwise for more; counter-clockwise for less.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBASS:\u003c\/strong\u003e Adds or cuts bass. Clockwise for more; counter-clockwise for less.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCOMP | SYM | ASYM:\u003c\/strong\u003e Selects between three clipping options:\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eCompressed\u003c\/em\u003e aggressively clips the signal, producing a rich, saturated overdrive tone. This is the least transparent setting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSymmetrical\u003c\/em\u003e clips the peaks and valleys of the signal equally, resulting in a smooth, sustained overdrive tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eAsymmetrical\u003c\/em\u003e clips the waveform unequally, creating a more open tone.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe EastSide features an internal trimpot that allows you to fine-tune the bass frequencies prior to the distortion stage of the circuit. Great for “hot” humbuckers that tend to overpower typical overdrives.\u003c\/p\u003e\n\u003ch2\u003eWestSide Overdrive (second in the signal chain)\u003c\/h2\u003e\n\u003cp\u003eThe Cleveland Music Co.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWestSide Overdrive\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis inspired by the classic Blues Breaker—both the amp \u003cem\u003eand\u003c\/em\u003e the pedal. After poring over the schematics of the original JTM 45 amplifier, the original pedal, and many pedals based on both, we applied what we feel are the strengths of them all into the WestSide. Not content to be a rehash of the past, the WestSide offers additional tonal and clipping options, increased output volume, and the powerful presence control makes it feel at home in any rig. The result is a touch-sensitive, bluesy, low-gain overdrive that stacks especially well with our other low- to medium-gain drives, and gives you all the presence you need to stand out.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVOLUME:\u003c\/strong\u003e Sets the overall output volume. Unity gain is around 2 o’clock, so the classic “low-gain, high-volume” configuration can really push the front of a tube amp with the volume cranked.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGAIN:\u003c\/strong\u003e Clockwise for more gain; counter-clockwise for less. There is a little more gain available than from typical pedals of this style, so be brave and explore. But for those looking for the so-called traditional sweet spots, try the 9 o’clock to noon range.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePRESENCE:\u003c\/strong\u003e Sets the amount of Presence. \u003cstrong\u003e\u003cem\u003eFully counter-clockwise for most rigs (start here!)\u003c\/em\u003e\u003c\/strong\u003e; clockwise to brighten up a dark amp or guitar pickups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTONE:\u003c\/strong\u003e Clockwise for more treble; counter-clockwise for less.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCOMP | OPEN:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eCompressed\u003c\/em\u003e is the traditional clipping option for this style pedal, producing a rich, saturated overdrive tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eOpen\u003c\/em\u003e inserts LEDs as the clipping diodes, resulting in a brighter, louder, and more open sound.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTrue-bypass switching. Jacks and power are on the top to save space on your pedalboard, and the pedal is industry-standard 1590BB size (4.7 in x 3.7 in x 2.5 in, including knobs).\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44158008525103,"sku":"P-SUPOD-1","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/sup_front.jpg?v=1769263846"},{"product_id":"smuffle-fuzz","title":"Smuffle Fuzz","description":"\u003ch3\u003eGet your Muff fix in a compact, rugged enclosure, with just the right touch of modernity.\u003c\/h3\u003e\n\u003cp\u003eThe Fuzzes of the 60s led to the Muffs of the 70s: an era dominated by the thundering roar of the Big Muff. For the quizzical Muffheads out there, the Cleveland Music Co. \u003cstrong\u003eSmuffle Fuzz \u003c\/strong\u003eis based on several “Triangle” and “Violet Ram’s Head” Big Muff variants—both considered among the best sounding and most desirable of the 1970’s Big Muffs. They are known for their tonal balance, medium gain distortion, and a mid range that was not overly-scooped. Our favorite elements of each of these variants come together in the Smuffle Fuzz. But we didn’t stop there: we also added some modern refinements to make it quieter, and more tonally flexible.\u003c\/p\u003e\n\u003cp\u003eEvery pedalboard deserves a Smuffle. Because sometimes, a woofy, seething wall of angry, fuzzy bees is exactly the sound you need. Other times, a subtle, refined hairiness is what you’re after. Problem solved. The Smuffle Fuzz can do all of that.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44253241344303,"sku":"P-SMUFF-1","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/products\/smuffle_front.jpg?v=1677345413"},{"product_id":"old-stone-overdrive","title":"Old Stone Overdrive","description":"\u003ch4\u003eThe mean, green midrange machine. Refined and redefined. Scream better.\u003c\/h4\u003e\n\u003cp\u003eSure, this circuit has been done so many times that we’re all green in the face. A classic is a classic for good reason, but when a classic is a launching pad rather than a thing to be copied? That’s an inspiration.\u003c\/p\u003e\n\u003cp\u003eThe Cleveland Music Co. Old Stone Overdrive isn’t just another son or brother of the fabled Tube Screamer. First of all, the signature midrange honk has been tamed just a touch. And with true-bypass switching, 3 clipping options, improvements to the tone control, and selectable pre-gain EQ modes, the Old Stone is more like a versatile distant relative. So, maybe a third cousin twice removed? We don’t know. We’re still waiting on the DNA test results. In any case, who cares? The Old Stone just screams better.\u003c\/p\u003e\n\u003ch4\u003eControls\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eLEVEL:\u003c\/strong\u003e Sets the overall output level of the pedal. Clockwise for more output; counter-clockwise for less.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cstrong\u003eTONE:\u003c\/strong\u003e Adds or cuts treble. Clockwise adds treble; counter-clockwise cuts treble. The Old Stone has a slightly reduced midrange response compared to an original Tube Screamer.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eDRIVE:\u003c\/strong\u003e Adjusts the gain of the pedal. Clockwise for more drive; counter-clockwise for less.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eASYM | SYM:\u003c\/strong\u003e Toggles between different clipping diode configurations.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eASYM\u003c\/em\u003e is asymmetrical clipping. This produces what some call a slightly more open, brighter tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSYM\u003c\/em\u003e is symmetrical clipping. This is the back-to-back silicon diode clipping found in so many classic dirt pedals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cem\u003eBONUS! \u003c\/em\u003e\u003c\/strong\u003eThe middle position of this switch selects two red LEDs as the clipping diodes. This provides more volume and bite, which transforms the Old Stone into a beastly boost pedal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFAT | STOCK:\u003c\/strong\u003e Selects between pre-clipping EQ options.\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cdiv\u003e\n\u003cem\u003eFAT\u003c\/em\u003e adds bass frequencies to the signal in the gain and clipping stage, which produces a warmer, rounder tone and a touch more apparent gain. Great for bridge single coils!\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\n\u003cem\u003eSTOCK\u003c\/em\u003e leaves the EQ as-is. But note that the Old Stone is not as midrange-humped as a typical screamer-type pedal.\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTrue-bypass switching. Top-mounted audio and DC power jacks. No battery snap provided. The pedal is industry-standard 125B in size.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44566777790767,"sku":"P-OSTNOD-1","price":139.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/products\/old_stone_ltd_front.jpg?v=1677520640"},{"product_id":"flats-distortion","title":"Flats Distortion","description":"\u003ch3\u003eGo ahead and party like it’s 1981. But bring along more gain, EQ, and clipping options.\u003c\/h3\u003e\n\u003cp\u003eWhat if a Rat and a Mudhoney had a baby, and that baby learned new gain structure options, grew a tilt style Voice control, and dabbled in its teen years with germanium clipping? That rebellious kid would be the Cleveland Music Co. \u003cstrong\u003eFlats Distortion\u003c\/strong\u003e.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":44566877897007,"sku":"P-FLTDST-2","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/products\/flats_side.jpg?v=1677521451"},{"product_id":"bleepcakes-overfuzz","title":"Bleepcakes Overfuzz","description":"\u003ch3\u003eSort of a fuzz. Sort of a transistor overdrive. Totally an overfuzz. (Yeah, that’s a word now.)\u003c\/h3\u003e\n\u003cp\u003eThe legendary Harmonic Percolator is an oddball in the fuzz world. It creates a pleasing, fuzzy overdrive sound drenched in even-order harmonics, unlike any Tone Bender or Fuzz Face variants before or after it. At home in shoegazer, rock, punk, garage, and just about any genre you throw at it, the Bleepcakes Overfuzz carries on this tradition.\u003c\/p\u003e\n\u003cp\u003eThe vintage Percolator used PNP germanium and NPN silicon transistors to produce its signature throaty, harmonic overtones. If you don’t know what that means, don’t worry: there will not be a test. Just know the Bleepcakes Overfuzz updates this configuration and uses modern silicon transistors to bring stability to the circuit and a tone that is identifiably Percolator-based, yet with a flavor all its own. It also boasts stock and modern clipping options, a \u003cstrong\u003eFAT\u003c\/strong\u003e control to thicken up your pre-fuzz signal, as well as a \u003cstrong\u003eLIFT\u003c\/strong\u003e control that allows you to blend between transistor overdrive tones and that iconic harmonic fuzz.\u003c\/p\u003e\n\u003ch3\u003eNot all Percolators are created equal?\u003c\/h3\u003e\n\u003cp\u003eTrue. No Percolator conversation is complete without talking about the “Albini” version. In a nutshell, producer \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Steve_Albini\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eSteve Albini\u003c\/a\u003e famously has a Percolator with mysteriously different values from most other vintage units. Some (including us) say the sound is smoother and more refined, and the circuit is quieter. The Bleepcakes is loosely-based on “Albini-esque” specs, with additional changes to accommodate the all-silicon design.\u003c\/p\u003e\n\u003cp\u003eTrue-bypass switching. Top-mounted audio and DC power jacks. No battery snap provided. The pedal is industry-standard 125B in size.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":45770862493999,"sku":"P-BCOF-1","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/bleepcakes-front.jpg?v=1689088541"},{"product_id":"woollybear-fuzz","title":"Woollybear Fuzz","description":"\u003ch3\u003eIn nature, a Woollybear is a cute, fuzzy caterpillar. On your pedalboard, our Woollybear Fuzz pedal is a ferocious, rampaging, insatiable force of fuzz. If you need it to be.\u003c\/h3\u003e\n\u003cp\u003eThe Woollybear is hands-down our most versatile fuzz pedal. While it shares its design philosophy with the classic Tone Bender family of fuzzes from yesteryear, the Woollybear is a modernized all-silicon evolution with a far wider range of available tones. From glitchy, gated, low saturation sounds all the way to high gain mayhem with endless sustain are easily achievable. It even “cleans up” nicely with most guitars’ volume knobs. And being all-silicon, there’s no worrying about temperature fluctuations that can plague vintage germanium fuzzes.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":45775537144111,"sku":"P-WLYBR-1","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/wollybear-front.jpg?v=1689097343"},{"product_id":"midgeapocalypse-vintage-fuzz","title":"Midgeapocalypse Vintage Fuzz","description":"\u003ch3\u003eAn unholy gnarl bomb of fuzzy, buzzsaw bliss.\u003c\/h3\u003e\n\u003cp\u003eIf you know what the FY-2 is, you vaguely know what you’re getting with the Midgeapocalypse Vintage Fuzz. If you don’t know, just consider it has been used with killer results by artists ranging from The Black Keys to Radiohead to The Jesus and Mary Chain. But as great as the original pedal is, it has its limitations: namely, an overwhelmingly scooped frequency response and famously low output level. So, we set out to create a modern, more versatile distant cousin in the Midegapocalypse.\u003c\/p\u003e\n\u003cp\u003eFirst, we added a \u003cstrong\u003eBOOST\u003c\/strong\u003e control that allows you to dial in just the right amount of midrange, making the available tones more fluid, raw, and distinctive than they already are. Second, we added a \u003cstrong\u003eSPLAT\u003c\/strong\u003e knob to control the bass entering the circuit, which can yield tones from a single buzzing gnat, to a blooming mushroom cloud of zombie midges. Lastly, we fixed that pesky output volume problem; the Midgeapocalypse can bring any amp to its knees with ease.\u003c\/p\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Default Title","offer_id":45778479055151,"sku":"P-MAVF-1","price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/midgeapocalypse-front.jpg?v=1689101421"},{"product_id":"hothouse-digital-signal-processing-platform-kit","title":"Hothouse Digital Signal Processing Pedal Kit","description":"\u003ch3\u003eThe perfect blend of DIY pedal kit and digital signal processing software, the Hothouse is an accelerator for creating your own Electrosmith Daisy Seed-based, embedded DSP effects.\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/electro-smith.com\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eElectrosmith\u003c\/a\u003e changed the landscape of DIY embedded digital signal processing with the release of its inexpensive and powerful \u003ca href=\"https:\/\/electro-smith.com\/products\/daisy-seed\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eDaisy Seed\u003c\/a\u003e. And even though the Daisy Seed is easy to program in languages like C++, Arduino, Puredata\/Plugdata, and Max\/MSP Gen~, there is still a lot of work required to make your project real-world ready: you still need to design and build appropriate audio buffers, source electronic components and hardware controls, and then wire up the audio I\/O, power, and other hardware like potentiometers and switches. Many projects may even require custom PCBs or perfboard designs. Then, add to that the design of the control layout and precisely drilled holes in an enclosure, it’s no wonder so many DIY projects never make it off the breadboard and on to your pedalboard.\u003c\/p\u003e\n\u003ch3\u003eThat’s where the Hothouse helps. You focus on the code, and it takes care of everything else.\u003c\/h3\u003e\n\u003cp\u003eThe Hothouse features high quality circuitry for audio I\/O buffering, power filtering, voltage regulation, and noise filtering, already loaded on to the main PCB. All you need to do is solder in the pots, switches, LEDs, jacks, and ribbon cables. Add your Daisy Seed and you’re good to go. Start hacking and hearing your own code right away, or flash your Daisy Seed with any of the GNU-licensed, pre-compiled or ready-to-compile effects from\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/github.com\/clevelandmusicco\/HothouseExamples\" rel=\"noreferrer noopener\" target=\"_blank\"\u003ethe official companion code repository\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eFully-stereo digital signal processing.\u003c\/h3\u003e\n\u003cp\u003eThe Hothouse is a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003efully-stereo pedal\u003c\/strong\u003e capable of \u003ca href=\"https:\/\/github.com\/clevelandmusicco\/HothouseExamples\/wiki\/About-%22Stereo%22-and-%22Mono%22-Audio-Modes\" rel=\"noreferrer noopener\" target=\"_blank\"\u003e\u003cem\u003emono-to-mono\u003c\/em\u003e, \u003cem\u003emono-to-stereo\u003c\/em\u003e, or \u003cem\u003estereo-to-stereo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eeffects\u003c\/a\u003e and more, depending on how you program it. So, if you want to create a custom mono delay\/reverb effect for your no-frills guitar rig, no problem! Working on a stereo shimmer reverb for your generative music synth setup? Also, not a problem.\u003c\/p\u003e\n\u003cp\u003eThe \u003ca href=\"https:\/\/github.com\/clevelandmusicco\/HothouseExamples\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eHothouseExamples GitHub repository\u003c\/a\u003e has many starter projects that demonstrate these modes.\u003c\/p\u003e\n\u003ch3\u003eAn official companion repository on GitHub.\u003c\/h3\u003e\n\u003cp\u003eGet involved. Use the official code examples as a launchpad, compile and flash them as-is, or write your own effects from scratch with the provided code template. The growing code repository can be found at \u003ca href=\"https:\/\/github.com\/clevelandmusicco\/HothouseExamples\" rel=\"noreferrer noopener\" target=\"_blank\"\u003ehttps:\/\/github.com\/clevelandmusicco\/HothouseExamples\u003c\/a\u003e.\u003c\/p\u003e\n\u003ch3\u003eChoice of kit or a fully-assembled pedal.\u003c\/h3\u003e\n\u003cp\u003eThe Hothouse is available in two variations to suit your specific needs:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFully-assembled pedal.\u003c\/strong\u003e This is the fastest way to get up and running. It’s also ideal for folks lacking the DIY equipment or required experience for the assembly process.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull kit.\u003c\/strong\u003e Everything you need to assemble a Hothouse in the official enclosure featuring a rugged powder coat finish and Cleveland Music Co. artwork.Flexible control layout.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cleveland Music Co.","offers":[{"title":"Full Kit","offer_id":50321266377007,"sku":"K-HH-1","price":119.0,"currency_code":"USD","in_stock":true},{"title":"Pre-Assembled (+$40 in cart)","offer_id":51687174734127,"sku":"K-HH-1A","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0694\/3283\/6399\/files\/hothouse-front-1k.png?v=1769124028"}],"url":"https:\/\/shop.clevelandmusicco.com\/collections\/pedals.oembed","provider":"Cleveland Music Co.","version":"1.0","type":"link"}